É antes o fim de um mundo
This paper intends to elaborate a dialogue between the politics of filming as seen by the Italian director Pier Paolo Pasolini and the Portuguese director Pedro Costa.
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| Format: | article |
| Status: | Published version |
| Publication Date: | 2016 |
| Country: | Brasil |
| Institution: | Universidade Federal do Ceará (UFC) |
| Repository: | Repositório Institucional da Universidade Federal do Ceará (UFC) |
| Language: | Portuguese |
| OAI Identifier: | oai:repositorio.ufc.br:riufc/46185 |
| Online Access: | http://www.repositorio.ufc.br/handle/riufc/46185 |
| Access Level: | Open access |
| Keyword: | Pasolini, Pier Paolo, 1922-1975 Política Cinema |
| Summary: | This paper intends to elaborate a dialogue between the politics of filming as seen by the Italian director Pier Paolo Pasolini and the Portuguese director Pedro Costa. |
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