Popular song: notes on the revocalization of the logos
This paper aims to discuss the process of quieting the poetic logos over time, from the analysis of some popular songs. Supported the observations taken public by Adriana Cavarero in the book Vozes plurais: filosofia da expressão vocal (2011), we investigated the presence of “vowel animals”, taking...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | Brasil |
| Institución: | Universidade do Sul de Santa Catarina (UNISUL) |
| Repositorio: | Crítica Cultural (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:portaldeperiodicos.animaeducacao.com.br:article/2331 |
| Acceso en línea: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2331 |
| Access Level: | acceso abierto |
| Palabra clave: | Logos Voice Poetry Song Voz Poesia Canção |
| Sumario: | This paper aims to discuss the process of quieting the poetic logos over time, from the analysis of some popular songs. Supported the observations taken public by Adriana Cavarero in the book Vozes plurais: filosofia da expressão vocal (2011), we investigated the presence of “vowel animals”, taking as an example the well-known fable of the ant and the grasshopper of La Fontaine, we passed the evaluation of lyrical as “voice of the heart” and hearing the sirens “singing women” as signs of the ontology of poetry and popular song, to the vocal polyphony of the mythopoetic of Macunaíma, as a representative of an essay on Brazil. |
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