Mystery Box? Magic Box? or "Lambe-Lambe Theater"?: Naming the Gazes in the Genealogy of Xalapa
The artists of Xalapa have recognized a genealogy by designating their own work. That recognition implies a model of the character and purpose of their poetics. To distinguish or assimilate their work with other expressions of puppetry arts, they assume models pursuing technical resolutions and poet...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Móin-Móin (Online) |
| Idioma: | español |
| OAI Identifier: | oai::article/25830 |
| Acceso en línea: | https://periodicos.udesc.br/index.php/moin/article/view/25830 |
| Access Level: | acceso abierto |
| Palabra clave: | Caja Misteriosa; Teatro Lambe Lambe; Caja Mágica; Teatro de Formas Animadas Caja Misteriosa Teatro Lambe Lambe Caja Mágica Teatro de Formas Animadas |
| Sumario: | The artists of Xalapa have recognized a genealogy by designating their own work. That recognition implies a model of the character and purpose of their poetics. To distinguish or assimilate their work with other expressions of puppetry arts, they assume models pursuing technical resolutions and poetic configurations. This paper reflects on the difference and the similarities around the comprehensions of looking since they affect the understanding of a scenic device that, commonly, can be named in three different ways: Mystery Box, Magic Box and Lambe Lambe Theater. |
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