Fashions of ladies and girls: Alceu Penna’s collaborations in A Cigarra Magazine
The trajectories of A Cigarra and Alceu Penna are very close. Integrated into the Diários Associados of Chateaubriand in the mid of 30’s, the magazine received the collaborations of graphic artist and costume designer born in Minas Gerais. With the journalists Helena Ferraz and Elza Marzullo, he dev...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Institución: | Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
| Repositorio: | Revista dObra[s] |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.dobras.emnuvens.com.br:article/477 |
| Acceso en línea: | https://dobras.emnuvens.com.br/dobras/article/view/477 |
| Access Level: | acceso abierto |
| Palabra clave: | Alceu Penna A Cigarra Fashion Normatives Women Journalists. Moda Normatividade Mulheres Jornalistas. |
| Sumario: | The trajectories of A Cigarra and Alceu Penna are very close. Integrated into the Diários Associados of Chateaubriand in the mid of 30’s, the magazine received the collaborations of graphic artist and costume designer born in Minas Gerais. With the journalists Helena Ferraz and Elza Marzullo, he developed A Cigarra Feminina, a wide internal supplement to the magazine, that circulated between 1948 and 1955. From genre studies, and characterizing it as a way to observe power relations, I intend in this article to relate Penna jobs and the production of normativesand on the other hand, the counter-conducts suggested to female readers, explicitly or between the lines and entretraços. Therefore, I will make an imagistic and textualanalysis of the selected source. |
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