Clues to a Performative Cartography of the ‘New Right’ (2015-2019)
This paper aims to weave a reflection from the performativity setback, when charting the politics’ aestheticization and art’s politicization, produced from the rise of the new right in recent Brazil, permeating aspects of its performativity. In conclusion, it is discussed aspects concerning the carn...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | inglés |
| OAI Identifier: | oai:seer.ufrgs.br:article/96143 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/presenca/article/view/96143 |
| Access Level: | acceso abierto |
| Palabra clave: | Carnivalization Performativity Aestheticization of Politics ‘New Right’ Carnavalisation Performativité Esthétique de la Politique ‘Nouvelle Droite’ |
| Sumario: | This paper aims to weave a reflection from the performativity setback, when charting the politics’ aestheticization and art’s politicization, produced from the rise of the new right in recent Brazil, permeating aspects of its performativity. In conclusion, it is discussed aspects concerning the carnivalization, from the joy's strategies analyzed in Belo Horizonte and its street carnival. This is like an aesthetic-political glimpse amidst the new right’s ill-forged barrel of copies, characterized by the strategy of the hybrid war, a mark of History's falsification, as tactics for geopolitical territory dispute. |
|---|