From the Book to the Stage and Vice Versa: On a Brazilian Translation of Iwona, Ksi??niczka Burgunda (Ivone, Princess of Burgundy), by Witold Gombrowicz
In view of the publishing project of my translation of Iwona, ksi??niczka Burgunda (Ivone, Princess of Burgundy), by Witold Gombrowicz – made for the first Brazilian staging of the play, in 2003 –, I revisit my undertaking and re-examine the translation process, its motivations and premises, its pro...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Institución: | Universidade Federal de Santa Catarina (UFSC) |
| Repositorio: | Cadernos de Tradução (Florianópolis. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufsc.br:article/92527 |
| Acceso en línea: | https://periodicos.ufsc.br/index.php/traducao/article/view/92527 |
| Access Level: | acceso abierto |
| Palabra clave: | Iwona, ksi??niczka Burgunda (Ivone, Princess of Burgundy) between the stage and the book: theatre translation Gombrowicz in Brazil Iwona, ksi??niczka Burgunda (Ivone, princesa da Borgonha) entre o palco e o livro: traduzir (para o) teatro Gombrowicz no Brasil |
| Sumario: | In view of the publishing project of my translation of Iwona, ksi??niczka Burgunda (Ivone, Princess of Burgundy), by Witold Gombrowicz – made for the first Brazilian staging of the play, in 2003 –, I revisit my undertaking and re-examine the translation process, its motivations and premises, its problems and results. Redirected from the space of the stage to the domain of literature, confronted with a new moment in the reception of Gombrowicz in our country, the translation carried out years ago gives rise to a series of questions: do the guidelines of the translation work (still) prove to be adequate? Do the solutions adopted, concerning text and paratexts, (still) seem satisfactory? How so? |
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