Towards a Husserlian Foundation of Aesthetics On Imagination, Phantasy & Image Consciousness in the 1904/1905 Lessons
While it is true that Husserl did not write systematically about aesthetics, it is not only possible and legitimate but also necessary to inquire how a Husserlian aesthetic consciousness could be understood. A closer consideration of the aesthetics that can be gleaned from the passages in which Huss...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Argentina |
| Institución: | Consejo Nacional de Investigaciones Científicas y Técnicas |
| Repositorio: | CONICET Digital (CONICET) |
| Idioma: | inglés |
| OAI Identifier: | oai:ri.conicet.gov.ar:11336/106613 |
| Acceso en línea: | http://hdl.handle.net/11336/106613 |
| Access Level: | acceso abierto |
| Palabra clave: | IMAGINATION PHANTASY PHENOMENOLOGY HUSSERL https://purl.org/becyt/ford/6.3 https://purl.org/becyt/ford/6 |
| Sumario: | While it is true that Husserl did not write systematically about aesthetics, it is not only possible and legitimate but also necessary to inquire how a Husserlian aesthetic consciousness could be understood. A closer consideration of the aesthetics that can be gleaned from the passages in which Husserl explicitly refers to artistic experiences shows a limitation of the aesthetic field to figurative art. To widen and enrich the aesthetic field beyond the experiences that such an aesthetics would account for, a shift of perspective is required. But to allow this change without leaving Husserl’s phenomenology, I consider in this article the outcome of analyzing this field of experiences from phantasy’s perspective instead of that of image consciousness. |
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