Dos modos del artificio. La construcción poética de la historia en el pasaje de rómulo de las metamorfosis a la luz de los fastos

In this paper, we analyse three kinds of appearance of history in the Romulus episode: 1. referential allusions to outstanding passages of the Romulus myth; 2. suppression of problematic references to his figure; 3. use of the Ennian intertext. Although points 1 and 2 have been understood as an exam...

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Autor: Martínez Astorino, Pablo
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2017
País:Argentina
Institución:Universidad Nacional de La Plata. Facultad Humanidades y Ciencias de la Educación
Repositorio:Memoria Académica (UNLP-FAHCE)
Idioma:español
OAI Identifier:oai:memoria.fahce.unlp.edu.ar:snrd:Jpr10590
Acceso en línea:https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.10590/pr.10590.pdf
Access Level:acceso abierto
Palabra clave:Literatura
Literatura antigua
Literatura griega
Ovidio
Roma
Poética
Historia
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spelling Dos modos del artificio. La construcción poética de la historia en el pasaje de rómulo de las metamorfosis a la luz de los fastosMartínez Astorino, PabloLiteraturaLiteratura antiguaLiteratura griegaOvidioRomaPoéticaHistoriaIn this paper, we analyse three kinds of appearance of history in the Romulus episode: 1. referential allusions to outstanding passages of the Romulus myth; 2. suppression of problematic references to his figure; 3. use of the Ennian intertext. Although points 1 and 2 have been understood as an example of historical or political correction, taking into account the importance of point 3 we will try to show that what prevails in the text is the representation of a poetic construction of history in terms of a device (this concept is duly explained): the three points, indeed, are intended to maintain or highlight the value of the central apotheosis theme, which, in the light of the ending, has a literary meaning. In Fasti, a work in which this device functions as a way of presenting the Romulus story according to his association with Augustus and his adaptation to times of peace, the image of Romulus fails to allude convincingly to Augustus because, in Ovid's times of peace, he no longer responds to the Romulean prototype of a new founder of the city, and the image of a pacifier Romulus, merely announced in Metamorphoses and Fasti, leads to Numa, the paradigm of the idea and a better foil to the "new" Augustus.Fil: Martínez Astorino, Pablo. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales (UNLP-CONICET); Argentina.2017info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfhttps://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.10590/pr.10590.pdfAthenaeum, 105(2), 569-583. (2017)ISSN 0004-6574reponame:Memoria Académica (UNLP-FAHCE)instname:Universidad Nacional de La Plata. Facultad Humanidades y Ciencias de la Educaciónspainfo:eu-repo/semantics/altIdentifier/hdl/10915/103441info:eu-repo/semantics/altIdentifier/hdl/11336/52241info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/4.0/2024-05-15T11:39:04Zoai:memoria.fahce.unlp.edu.ar:snrd:Jpr10590instacron:UNLP-FAHCEInstitucionalhttp://www.memoria.fahce.unlp.edu.ar/Universidad públicaNo correspondehttp://www.memoria.fahce.unlp.edu.ar/oaiserver.cgi?verb=Identifymfushimi@fahce.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13412024-05-15 11:39:05.845Memoria Académica (UNLP-FAHCE) - Universidad Nacional de La Plata. Facultad Humanidades y Ciencias de la Educaciónfalse
dc.title.none.fl_str_mv Dos modos del artificio. La construcción poética de la historia en el pasaje de rómulo de las metamorfosis a la luz de los fastos
title Dos modos del artificio. La construcción poética de la historia en el pasaje de rómulo de las metamorfosis a la luz de los fastos
spellingShingle Dos modos del artificio. La construcción poética de la historia en el pasaje de rómulo de las metamorfosis a la luz de los fastos
Martínez Astorino, Pablo
Literatura
Literatura antigua
Literatura griega
Ovidio
Roma
Poética
Historia
title_short Dos modos del artificio. La construcción poética de la historia en el pasaje de rómulo de las metamorfosis a la luz de los fastos
title_full Dos modos del artificio. La construcción poética de la historia en el pasaje de rómulo de las metamorfosis a la luz de los fastos
title_fullStr Dos modos del artificio. La construcción poética de la historia en el pasaje de rómulo de las metamorfosis a la luz de los fastos
title_full_unstemmed Dos modos del artificio. La construcción poética de la historia en el pasaje de rómulo de las metamorfosis a la luz de los fastos
title_sort Dos modos del artificio. La construcción poética de la historia en el pasaje de rómulo de las metamorfosis a la luz de los fastos
dc.creator.none.fl_str_mv Martínez Astorino, Pablo
author Martínez Astorino, Pablo
author_facet Martínez Astorino, Pablo
author_role author
dc.subject.none.fl_str_mv Literatura
Literatura antigua
Literatura griega
Ovidio
Roma
Poética
Historia
topic Literatura
Literatura antigua
Literatura griega
Ovidio
Roma
Poética
Historia
description In this paper, we analyse three kinds of appearance of history in the Romulus episode: 1. referential allusions to outstanding passages of the Romulus myth; 2. suppression of problematic references to his figure; 3. use of the Ennian intertext. Although points 1 and 2 have been understood as an example of historical or political correction, taking into account the importance of point 3 we will try to show that what prevails in the text is the representation of a poetic construction of history in terms of a device (this concept is duly explained): the three points, indeed, are intended to maintain or highlight the value of the central apotheosis theme, which, in the light of the ending, has a literary meaning. In Fasti, a work in which this device functions as a way of presenting the Romulus story according to his association with Augustus and his adaptation to times of peace, the image of Romulus fails to allude convincingly to Augustus because, in Ovid's times of peace, he no longer responds to the Romulean prototype of a new founder of the city, and the image of a pacifier Romulus, merely announced in Metamorphoses and Fasti, leads to Numa, the paradigm of the idea and a better foil to the "new" Augustus.
publishDate 2017
dc.date.none.fl_str_mv 2017
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info:eu-repo/semantics/publishedVersion
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info:ar-repo/semantics/articulo
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dc.identifier.none.fl_str_mv https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.10590/pr.10590.pdf
url https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.10590/pr.10590.pdf
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language spa
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info:eu-repo/semantics/altIdentifier/hdl/11336/52241
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https://creativecommons.org/licenses/by-nc-sa/4.0/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0/
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dc.source.none.fl_str_mv Athenaeum, 105(2), 569-583. (2017)
ISSN 0004-6574
reponame:Memoria Académica (UNLP-FAHCE)
instname:Universidad Nacional de La Plata. Facultad Humanidades y Ciencias de la Educación
instname_str Universidad Nacional de La Plata. Facultad Humanidades y Ciencias de la Educación
reponame_str Memoria Académica (UNLP-FAHCE)
collection Memoria Académica (UNLP-FAHCE)
repository.name.fl_str_mv Memoria Académica (UNLP-FAHCE) - Universidad Nacional de La Plata. Facultad Humanidades y Ciencias de la Educación
repository.mail.fl_str_mv mfushimi@fahce.unlp.edu.ar
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