Del rascacielos al rascasuelos : La casbah japonesa de Rem Koolhaas
Rem Koolhaas, as a contemporary architect, draws from the proposals which were devel-oped by the architects who reacted to the ideas formulated on the International Congresses of Modern Architecture, like the Team 10 members. Woods, along with Candilis and Josic, worked out a new type of building th...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Argentina |
| Institución: | Universidad Nacional de La Plata |
| Repositorio: | SEDICI (UNLP) |
| Idioma: | español |
| OAI Identifier: | oai:sedici.unlp.edu.ar:10915/53757 |
| Acceso en línea: | http://sedici.unlp.edu.ar/handle/10915/53757 |
| Access Level: | acceso abierto |
| Palabra clave: | Arquitectura Japón edificio construcciones urbanas vivienda colectiva Koolhaas, Rem housing mat-building Fukuoka |
| Sumario: | Rem Koolhaas, as a contemporary architect, draws from the proposals which were devel-oped by the architects who reacted to the ideas formulated on the International Congresses of Modern Architecture, like the Team 10 members. Woods, along with Candilis and Josic, worked out a new type of building that he called ground-scrapper, although it is better known by the name given by Alison Smithson: the mat-building. Rem Koolhaas, in the Nexus World building in Fukuoka, propose, as he says in S,M,L, XL, a house building which is a combina-tion of Mies’s court houses and the ones in the ancient Rome, forming continuous tapestries where houses never become objects. Definitely, he proposes a mat-building. OMA’s head-master applies what he had learn with “Delirious New York” and he introduces the skyscraper features in his own ground-scrapper, redefi ning the mat-building. |
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