A dialogic perspective between the productive structure and the narratives of Argentine television fictions (2011-2020)
This article analyzes how the ownership structure and the alliances between the agents producing serialized fiction for television are linked to the themes and narratives addressed by this type of cultural product. From the political economy of communication and cultural studies, the paper examines...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Argentina |
| Institución: | Consejo Nacional de Investigaciones Científicas y Técnicas |
| Repositorio: | CONICET Digital (CONICET) |
| Idioma: | inglés |
| OAI Identifier: | oai:ri.conicet.gov.ar:11336/200699 |
| Acceso en línea: | http://hdl.handle.net/11336/200699 |
| Access Level: | acceso abierto |
| Palabra clave: | ARGENTINA AUDIOVISUAL CONTENT NARRATIVES PRODUCTION COMPANIES TELEVISION SERIAL FICTION https://purl.org/becyt/ford/5.8 https://purl.org/becyt/ford/5 |
| Sumario: | This article analyzes how the ownership structure and the alliances between the agents producing serialized fiction for television are linked to the themes and narratives addressed by this type of cultural product. From the political economy of communication and cultural studies, the paper examines the predominant themes in the 100 most watched premiere fictions on open television in Argentina during the decade between 2011 and 2020. It is concluded that there is a wide predominance of universal themes with nonstructural local references, over purely local ones. |
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