Ironía y violencia en Contra Symmachum de Prudencio
Many scholars, who have edited and translated Prudentius’ works, explains the valuation of Symmachus’ – oratorical skills – explicit in Contra Symmachum (402-403 AD), as a sign of admiration and respect on behalf of the Christian poet. On the contrary, we intend to demonstrate that the allusions to...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Argentina |
| Institución: | Consejo Nacional de Investigaciones Científicas y Técnicas |
| Repositorio: | CONICET Digital (CONICET) |
| Idioma: | italiano |
| OAI Identifier: | oai:ri.conicet.gov.ar:11336/62765 |
| Acceso en línea: | http://hdl.handle.net/11336/62765 |
| Access Level: | acceso abierto |
| Palabra clave: | Prudencio Épica Cristianismo Antigüedad Tardía https://purl.org/becyt/ford/6.2 https://purl.org/becyt/ford/6 |
| Sumario: | Many scholars, who have edited and translated Prudentius’ works, explains the valuation of Symmachus’ – oratorical skills – explicit in Contra Symmachum (402-403 AD), as a sign of admiration and respect on behalf of the Christian poet. On the contrary, we intend to demonstrate that the allusions to Symmachus’ oratorical ability and eloquence should undergo an ironic reading, whose role involves depreciating their arguments and ridicule his figure, as a symbol of the ancient pagan culture in order to avoid any trace of violence of Christianity towards paganism. |
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