César Aira and Osvaldo Lamborghini: «First publish».

The present work sets out to establish a correlation between the figure of the editors of the Panamanian trilogy of César Aira, El Mago (2002), Varamo (2002) and La princesa primavera (2003), and the figure of César Aira as executor and editor of Osvaldo Lamborghini taking into account the editorial...

Descripción completa

Detalles Bibliográficos
Autor: Battistoni, María Nieves
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2020
País:Argentina
Institución:Universidad Nacional del Litoral
Repositorio:Biblioteca Virtual (UNL)
Idioma:español
OAI Identifier:oai:bibliotecavirtual.unl.edu.ar:article/9679
Acceso en línea:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9679
Access Level:acceso abierto
id AR_7ae3947a9ccd4aa728309dfd7cfd084d
oai_identifier_str oai:bibliotecavirtual.unl.edu.ar:article/9679
network_acronym_str AR
network_name_str Argentina
repository_id_str
spelling César Aira and Osvaldo Lamborghini: «First publish».César Aira y Osvaldo Lamborghini: «Primero publicar».Battistoni, María NievesThe present work sets out to establish a correlation between the figure of the editors of the Panamanian trilogy of César Aira, El Mago (2002), Varamo (2002) and La princesa primavera (2003), and the figure of César Aira as executor and editor of Osvaldo Lamborghini taking into account the editorial impulse that, in his care, he reissued the stories and poems published during Lamborghini's life as well as his unpublished papers. This first operation also allows us to reflect on the Arian practice of scriptural overproduction such as the staging of his master's boutade («first publish, then write») themed in the trilogy to literality. Likewise, the revival of the master would not only favor the mutual readability of those who, early on, intuited his literatures made system, but would also provide a critical diagnosis about the current state of the Argentine novel in which the boutade would have lost all corrosive power.El presente trabajo se propone establecer un correlato entre la figura de los editores de la trilogía panameña de César Aira, El Mago (2002), Varamo (2002) y La princesa primavera (2003), y la figura de César Aira como albacea y editor de Osvaldo Lamborghini teniendo en cuenta el impulso editorial que, a su cuidado, reeditó los relatos y poemas publicados en vida de Lamborghini así como sus papeles inéditos. Esta primera operación permite, además, reflexionar acerca de la práctica ariana de superproducción escrituraria como la puesta en escena de la boutade de su maestro («primero publicar, después escribir») tematizada en la trilogía hasta la literalidad. Asimismo, la reanimación del maestro no solo favorecería la mutua legibilidad de aquellos que, precozmente, intuyeron sus literaturas hacían sistema, sino también vehiculizaría un diagnóstico crítico acerca del estado actual de la novela argentina en la que la boutade habría perdido todo poder corrosivo.Universidad Nacional del Litoral2020-10-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticulohttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdftext/htmlhttps://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9679El Taco en la Brea; Vol. 2 Núm. 12 (2020): El taco en la breaEl Taco en la Brea; Vol 2 No 12 (2020): El taco en la brea2362-419110.14409/tb.v1i12reponame:Biblioteca Virtual (UNL)instname:Universidad Nacional del Litoralinstacron:UNLspainfo:eu-repo/grantAgreement/EC/FP7/https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9679/12947https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9679/12948info:eu-repo/semantics/openAccessDerechos de autor 2020 El Taco en la Brea2022-10-27T15:00:29Zoai:bibliotecavirtual.unl.edu.ar:article/9679Institucionalhttp://bibliotecavirtual.unl.edu.ar/Universidad públicaNo correspondehttps://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/index/oaijdeba@unl.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:21872022-10-27 15:00:40.752Biblioteca Virtual (UNL) - Universidad Nacional del Litoralfalse
dc.title.none.fl_str_mv César Aira and Osvaldo Lamborghini: «First publish».
César Aira y Osvaldo Lamborghini: «Primero publicar».
title César Aira and Osvaldo Lamborghini: «First publish».
spellingShingle César Aira and Osvaldo Lamborghini: «First publish».
Battistoni, María Nieves
title_short César Aira and Osvaldo Lamborghini: «First publish».
title_full César Aira and Osvaldo Lamborghini: «First publish».
title_fullStr César Aira and Osvaldo Lamborghini: «First publish».
title_full_unstemmed César Aira and Osvaldo Lamborghini: «First publish».
title_sort César Aira and Osvaldo Lamborghini: «First publish».
dc.creator.none.fl_str_mv Battistoni, María Nieves
author Battistoni, María Nieves
author_facet Battistoni, María Nieves
author_role author
description The present work sets out to establish a correlation between the figure of the editors of the Panamanian trilogy of César Aira, El Mago (2002), Varamo (2002) and La princesa primavera (2003), and the figure of César Aira as executor and editor of Osvaldo Lamborghini taking into account the editorial impulse that, in his care, he reissued the stories and poems published during Lamborghini's life as well as his unpublished papers. This first operation also allows us to reflect on the Arian practice of scriptural overproduction such as the staging of his master's boutade («first publish, then write») themed in the trilogy to literality. Likewise, the revival of the master would not only favor the mutual readability of those who, early on, intuited his literatures made system, but would also provide a critical diagnosis about the current state of the Argentine novel in which the boutade would have lost all corrosive power.
publishDate 2020
dc.date.none.fl_str_mv 2020-10-09
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Articulo
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9679
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9679
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv info:eu-repo/grantAgreement/EC/FP7/
https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9679/12947
https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9679/12948
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
Derechos de autor 2020 El Taco en la Brea
eu_rights_str_mv openAccess
rights_invalid_str_mv Derechos de autor 2020 El Taco en la Brea
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Universidad Nacional del Litoral
publisher.none.fl_str_mv Universidad Nacional del Litoral
dc.source.none.fl_str_mv El Taco en la Brea; Vol. 2 Núm. 12 (2020): El taco en la brea
El Taco en la Brea; Vol 2 No 12 (2020): El taco en la brea
2362-4191
10.14409/tb.v1i12
reponame:Biblioteca Virtual (UNL)
instname:Universidad Nacional del Litoral
instacron:UNL
instname_str Universidad Nacional del Litoral
instacron_str UNL
institution UNL
reponame_str Biblioteca Virtual (UNL)
collection Biblioteca Virtual (UNL)
repository.name.fl_str_mv Biblioteca Virtual (UNL) - Universidad Nacional del Litoral
repository.mail.fl_str_mv jdeba@unl.edu.ar
_version_ 1799193835321950208
score 15.812429

Similares en LA Referencia