Fiction of an Identity: female figures and drifts in the New Korean Cinema
Fictions constitute narratives that represent an exercise of identity construction, which leads us to the fact of understanding identity as a constant construction in discourse. In this sense, we understand that the experiences of ´Korean women´ have changed as a product of modernization regarding t...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2013 |
| País: | Argentina |
| Institución: | Consejo Nacional de Investigaciones Científicas y Técnicas |
| Repositorio: | CONICET Digital (CONICET) |
| Idioma: | inglés |
| OAI Identifier: | oai:ri.conicet.gov.ar:11336/27866 |
| Acceso en línea: | http://hdl.handle.net/11336/27866 |
| Access Level: | acceso abierto |
| Palabra clave: | Korea Women Cinema https://purl.org/becyt/ford/5.4 https://purl.org/becyt/ford/5 |
| Sumario: | Fictions constitute narratives that represent an exercise of identity construction, which leads us to the fact of understanding identity as a constant construction in discourse. In this sense, we understand that the experiences of ´Korean women´ have changed as a product of modernization regarding the senses and meanings that are articulated in filmic fiction territories. With this in mind, first we develop a brief review that defines the imaginary cinematographic of the New Korean Cinema. Then, we display a thematic and analytical lecture of the selected films attending the narrative interests and ways of representing regarding the experiences of women, which are part of a complex social process that tends to pluralism and cultural diversity. We reflect upon ´women of fiction´ -from a discursive and symbolic conception of the subjects- leading us to the ´historical woman´, and inviting us to (re)think the constitution of female identity in Korea from the particularity that it assumes in the field of the cinematographic representation. |
|---|