Foto Estudio Ibis : Sobre la fotografía de pueblo
In the following article I propose analyzing the project Foto Estudio Ibis, carried out by Gustavo Frittegotto based on the homonymous photo studio that worked in Arequito (Santa Fe) from the 1930s to 2002. In relation to its archive and Frittegotto’s actions I raise questions about the recovery of...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Argentina |
| Institución: | Universidad Nacional de La Plata |
| Repositorio: | SEDICI (UNLP) |
| Idioma: | español |
| OAI Identifier: | oai:sedici.unlp.edu.ar:10915/71392 |
| Acceso en línea: | http://sedici.unlp.edu.ar/handle/10915/71392 |
| Access Level: | acceso abierto |
| Palabra clave: | Bellas Artes archive territoriality Archivo Fotografía Territorialidad photography |
| Sumario: | In the following article I propose analyzing the project Foto Estudio Ibis, carried out by Gustavo Frittegotto based on the homonymous photo studio that worked in Arequito (Santa Fe) from the 1930s to 2002. In relation to its archive and Frittegotto’s actions I raise questions about the recovery of photographic archives registered in small communities and the artistic character of these actions. |
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