Fotografía actual: expansiones, asincronías y promiscuidades
The present work aims to replenish the relevance of photography, looking for the configurations that made it a promiscuous, expanded, paradoxical and omnipresent practice in the ways of relating, investigating and organizing the world. Thus, it provides us with ways to manage, disseminate and classi...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Argentina |
| Institución: | Universidad Nacional de La Plata |
| Repositorio: | SEDICI (UNLP) |
| Idioma: | español |
| OAI Identifier: | oai:sedici.unlp.edu.ar:10915/71367 |
| Acceso en línea: | http://sedici.unlp.edu.ar/handle/10915/71367 |
| Access Level: | acceso abierto |
| Palabra clave: | Bellas Artes fotografía expandida arte contemporáneo ontología promiscuidades disciplinares expanded photography contemporary art ontology disciplinary promiscuities |
| Sumario: | The present work aims to replenish the relevance of photography, looking for the configurations that made it a promiscuous, expanded, paradoxical and omnipresent practice in the ways of relating, investigating and organizing the world. Thus, it provides us with ways to manage, disseminate and classify the universe through several authors. To map these expansions, four major strategies are proposed. |
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