A emergência do campo de música e gênero no Brasil: reflexões iniciais

Through initial results of the mapping in progress of productions on "women, feminism, gender and music" in Brazil, we present the interpretation that there is an emerging field of shared collective construction in the country. We see the field "music and gender" as a "wave&...

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Detalhes bibliográficos
Autores: Durães Zerbinatti, Camila, Porto Nogueira, Isabel, Pedro, Joana Maria
Tipo de documento: artigo
Estado:Versão publicada
Data de publicação:2018
País:Argentina
Recursos:Universidad Nacional de La Plata. Facultad Humanidades y Ciencias de la Educación
Repositório:Memoria Académica (UNLP-FAHCE)
Idioma:português
OAI Identifier:oai:memoria.fahce.unlp.edu.ar:snrd:Jpr11200
Acesso em linha:https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.11200/pr.11200.pdf
Access Level:Acceso aberto
Palavra-chave:Ciencias sociales
Music and gender
Feminist musicologies
Feminist epistemologies
Brazil
Música e gênero
Musicologias feministas
Epistemologias feministas
Brasil
Descrição
Resumo:Through initial results of the mapping in progress of productions on "women, feminism, gender and music" in Brazil, we present the interpretation that there is an emerging field of shared collective construction in the country. We see the field "music and gender" as a "wave" that emerges in the area of music and has been in the process of construction since 1978. We propose critical reflections related to the field and its relations (internal and external) from the perspective of the feminist musicologies and the feminist epistemologies as well as the relations between theory and practice in the field. Combining quantitative and qualitative approaches, we observe the hybrid, multiple, heterogeneous, collective and plural constitution of the field.