Where is Dante Now? Street Art: Conservation, Rejection and Elimination. The Case of the Street Art Mosaics in Ravenna, Italy
Conserving street art is a challenge. Is a complex problem that requires an interdisciplinary approach that currently is not clearly defined. There are several questions facing the problem of street art: Who is the owner? Are there any legal instruments to protect this artwork? What to do when the w...
| Autor: | |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | México |
| Institución: | INSTITUTO TECNOLÓGICO Y DE ESTUDIOS SUPERIORES DE MONTERREY |
| Repositorio: | En-claves del pensamiento |
| Idioma: | español |
| OAI Identifier: | oai:ojs.enclavesdelpensamiento.mx:article/383 |
| Acceso en línea: | https://www.enclavesdelpensamiento.mx/index.php/enclaves/article/view/383 |
| Access Level: | acceso abierto |
| Palabra clave: | Street art mosaic conservation cultural heritage Ravenna mosaico Rávena conservación patrimonio cultural |
| Sumario: | Conserving street art is a challenge. Is a complex problem that requires an interdisciplinary approach that currently is not clearly defined. There are several questions facing the problem of street art: Who is the owner? Are there any legal instruments to protect this artwork? What to do when the work of art is rejected by society? This paper explores two particular cases of rejection, vandalism and elimination of street art mosaics by Invader and Dicky Cock in Ravenna, Italy. |
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