Los rayos X. Sus dos caras en la realidad y en la ficción fílmica
This work, focused in the short film Roentgen, intends to scrutinize two faces in the framework of X rays: the worthwhileremembering of its discoverer and its opposite, the deformed face of a fictional characters. These ones, gained by an inexcusable ambition and decided to achieve their goals at an...
| Autores: | , , |
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| Tipo de documento: | artigo |
| Data de publicação: | 2017 |
| País: | España |
| Recursos: | Universidad de Salamanca (USAL) |
| Repositório: | GREDOS. Repositorio Institucional de la Universidad de Salamanca |
| OAI Identifier: | oai:gredos.usal.es:10366/133776 |
| Acesso em linha: | http://hdl.handle.net/10366/133776 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Medicina Cine Medicine Motion pictures |
| Resumo: | This work, focused in the short film Roentgen, intends to scrutinize two faces in the framework of X rays: the worthwhileremembering of its discoverer and its opposite, the deformed face of a fictional characters. These ones, gained by an inexcusable ambition and decided to achieve their goals at any price, regretfully acquire real roots.From both standpoints, this film becomes useful for undergraduates y graduates in medical sciences because itallows to directly and indirectly face each and every one of them to the zenith and the nadir of the human soul. |
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