Las pinturas murales de la ciudad íbero-romana de Cástulo, Linares (Jaén): estudio técnico y propuesta de diferentes sistemas de anclaje para su musealización

[EN] This Final Work of this Master shows a theoretical and practical study, that has been carried out in order to find different mooring systems, that could offer a possible solution to display the archaeological wall painting “Mosaico de los Amores” of “Castulo”, a Oretan-Roman city which was disc...

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Detalles Bibliográficos
Autor: Calabria Salvador, Irene Marta
Tipo de recurso: tesis de maestría
Fecha de publicación:2013
País:España
Institución:Universitat Politècnica de València (UPV)
Repositorio:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:español
OAI Identifier:oai:riunet.upv.es:10251/39194
Acceso en línea:https://riunet.upv.es/handle/10251/39194
Access Level:acceso abierto
Palabra clave:Pintura
Mural
Anclajes
Painting
Achorages
PINTURA
Máster Universitario en Conservación y Restauración de Bienes Culturales-Màster Universitari en Conservació i Restauració de Béns Culturals
Descripción
Sumario:[EN] This Final Work of this Master shows a theoretical and practical study, that has been carried out in order to find different mooring systems, that could offer a possible solution to display the archaeological wall painting “Mosaico de los Amores” of “Castulo”, a Oretan-Roman city which was discovered in Linares (Jaen). For this purpose, the first and second chapters contain a brief introduction about the history of the city and the context of the present study in order to know about that wall painting origin. Afterwords, a technical study with grain size analysis and stratigraphic studies has been carried out. This results have been compared with the information provided by the classical literature and the researches on wall painting discovered in Roman Hispania, that have been developed throughout the History. Lastly, a study of the different mooring points and their installation system has been made. The first one is a mooring system by magnetization, whereas the second one is the well-known structural system, which is called “Curtain Wall”. Both solutions could be appropriate. It depends on the final location of the artwork and the ethics of the responsible restorer in the project