Ugliness and Nature

In this paper, I object to the view that ugliness is only apparent and that what might seem to be ugly is in fact beautiful. This view holds that ugliness is really just a variety of beauty, and there is no negative aesthetic value in the world. In environmental aesthetics, my focus, this is express...

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Detalles Bibliográficos
Autor: Brady, Emily
Tipo de recurso: artículo
Fecha de publicación:2010
País:España
Institución:Universitat Autònoma de Barcelona
Repositorio:Dipòsit Digital de Documents de la UAB
Idioma:inglés
OAI Identifier:oai:ddd.uab.cat:64386
Acceso en línea:https://ddd.uab.cat/record/64386
https://dx.doi.org/urn:doi:10.5565/rev/enrahonar.217
Access Level:acceso abierto
Palabra clave:Ugliness
Positive aesthetics
Nature
Carlson
Sibley
Fealdad
Estética positiva
Naturaleza
Lletjor
Estètica positiva
Naturalesa
Descripción
Sumario:In this paper, I object to the view that ugliness is only apparent and that what might seem to be ugly is in fact beautiful. This view holds that ugliness is really just a variety of beauty, and there is no negative aesthetic value in the world. In environmental aesthetics, my focus, this is expressed as the thesis of «positive aesthetics», which has been developed by several philosophers, most notably, Allen Carlson. As he puts it: «the natural environment, insofar as it is untouched by man, has mainly positive aesthetic qualities; it is, for example, graceful, delicate, intense, unified, and orderly, rather than bland, dull, insipid, incoherent, and chaotic» (Carlson, 2000, p. 5). Against this type of position, I argue that ugliness in nature is real and cannot be explained away by acquiring knowledge of some ugly thing or through some holistic understanding of how apparently ugly things/phenomena function within beautiful ecosystems. Although I ultimately argue that ugliness is a form of negative aesthetic value, I then develop a position to show why we might have other reasons to care about ugliness in nature, and therefore seek to protect it.