La ficción televisiva española del s.XXI a través de sus personajes
Nowadays, Spanish television series and their characters are living a great moment with a unique success and appreciation. This success has come together with technical improvements and new projects that considerably expand the national fiction outlook. Within the first years of the 21st century, se...
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| Tipo de recurso: | tesis doctoral |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/85133 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/85133 |
| Access Level: | acceso abierto |
| Palabra clave: | Ficción Televisión España Televisión generalista Audiovisual Audiencia Narrativa Personajes Miniserie Serie Drama Dramedia Comedia COMUNICACION AUDIOVISUAL Y PUBLICIDAD |
| Sumario: | Nowadays, Spanish television series and their characters are living a great moment with a unique success and appreciation. This success has come together with technical improvements and new projects that considerably expand the national fiction outlook. Within the first years of the 21st century, several works with a great stylistic quality and variety of genres and formats have been made, which turn the Spanish market into a very interesting case study. With the aim of providing an exhaustive and objective analysis, the first part of this work is devoted to theoretical investigations. In this part, we study both the literary theories and their application to television. Their influence on characters, the form of addressing time, the use of narrator, etc., are valid for the typical characteristics of television stories or how are adapted to them. The second part includes the analysis that approaches the twelve use cases selected and the productive context of the Spanish market. It is related to television in general and to the fiction macro genre in particular. Both the dissertation and the analysis itself are presented in following sections under the premise that characters and their interrelated dynamics, which cause the main stories, have a very special importance. The main hypothesis of this thesis revolves around this fact, and it is based on the typical needs of fictions in series, defined by their extension in time without a clear anticipated date of completion. Throughout the twelve fictions, with different formats and genres, we study the diversity of the Spanish market and the importance of characters among the rest of narrative and audiovisual elements. |
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