Negotiating hospitality in Pat Mora's "Bilingual Christmas" and Sandra Cisneros's "It Occurs to Me I Am the Creative/Destructive Goddess Coatlicue"
This article explores the link between hospitality and power in two poems by contemporary Chicana writers Pat Mora and Sandra Cisneros, reflecting on how these two poems denounce the complicity of certain discourses and practices of hospitality with oppression and exclusion. Both poems explore the i...
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| Formato: | artículo |
| Fecha de publicación: | 2023 |
| País: | España |
| Recursos: | Universitat Autònoma de Barcelona |
| Repositorio: | Dipòsit Digital de Documents de la UAB |
| Idioma: | inglés |
| OAI Identifier: | oai:ddd.uab.cat:286372 |
| Acesso em linha: | https://ddd.uab.cat/record/286372 https://dx.doi.org/urn:doi:10.1344/Lectora2023.29.5 |
| Access Level: | acceso abierto |
| Palavra-chave: | Chicana literature Hospitality Oppression Gender Literatura chicana Hospitalitat Opressió Migrants Genere Hospitalidad Opresión Migrantes Genero |
| Resumo: | This article explores the link between hospitality and power in two poems by contemporary Chicana writers Pat Mora and Sandra Cisneros, reflecting on how these two poems denounce the complicity of certain discourses and practices of hospitality with oppression and exclusion. Both poems explore the intersection between hospitality, power, and inequality, highlighting the power differentials at play beneath relationships of hospitality. Hospitality appears in the two poems as a cover-up for marginalization and exploitation, the exclusion of migrants and postmigrants, and the subjugation of women through norms of self-sacrifice. However, the two poems also reclaim hospitality and offer textual forms of generosity and care, or poetic hospitality in the way they welcome voices, readers, and stories. |
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