El entramado simbólico en el drama Pelléas et Mélisande de Maurice Maeterlinck: Una aplicación de la Poética de lo imaginario
This paper’s goal is to figure out the symbolic meaning of Maurice Maeterlinck’s opera magna Pelléas et Mélisande according to Gaston Bachelard, Mircea Eliade and Gilbert Durand’s theoretical approaches. Concerning Bachelard, we will pay attention to his analysis of the relation between images and s...
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| Format: | article |
| Publication Date: | 2016 |
| Country: | España |
| Institution: | Universidad Autónoma de Madrid |
| Repository: | Biblos-e Archivo. Repositorio Institucional de la UAM |
| Language: | Spanish |
| OAI Identifier: | oai:repositorio.uam.es:10486/676516 |
| Online Access: | http://hdl.handle.net/10486/676516 |
| Access Level: | Open access |
| Keyword: | Maeterlinck Pelléas et Mélisande Psicocrítica Mitocrítica Poética de lo imaginario Literatura |
| Summary: | This paper’s goal is to figure out the symbolic meaning of Maurice Maeterlinck’s opera magna Pelléas et Mélisande according to Gaston Bachelard, Mircea Eliade and Gilbert Durand’s theoretical approaches. Concerning Bachelard, we will pay attention to his analysis of the relation between images and symbols in literature; we will also take into account Eliade’s theory of the consistency of symbols along the history of human psyche; and we will particularly consider Durand’s Poetic of the Imagining approach and his work The Anthropological Structures of the Imaginary |
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