On the human evaluation of universal audio adversarial perturbations

[EN] Human-machine interaction is increasingly dependent on speech communication, mainly due to the remarkable performance of Machine Learning models in speech recognition tasks. However, these models can be fooled by adversarial examples, which are inputs in-tentionally perturbed to produce a wrong...

Descripción completa

Detalles Bibliográficos
Autores: Vadillo Jueguen, Jon, Santana Hermida, Roberto
Tipo de recurso: artículo
Fecha de publicación:2022
País:España
Institución:Universidad del País Vasco
Repositorio:Addi. Archivo Digital para la Docencia y la Investigación
OAI Identifier:oai:addi.ehu.eus:10810/55137
Acceso en línea:http://hdl.handle.net/10810/55137
Access Level:acceso abierto
Palabra clave:adversarial examples
deep neural networks
speech command classification
robust speech recognition
human perception
Descripción
Sumario:[EN] Human-machine interaction is increasingly dependent on speech communication, mainly due to the remarkable performance of Machine Learning models in speech recognition tasks. However, these models can be fooled by adversarial examples, which are inputs in-tentionally perturbed to produce a wrong prediction without the changes being noticeable to humans. While much research has focused on developing new techniques to generate adversarial perturbations, less attention has been given to aspects that determine whether and how the perturbations are noticed by humans. This question is relevant since high fool-ing rates of proposed adversarial perturbation strategies are only valuable if the perturba-tions are not detectable. In this paper we investigate to which extent the distortion metrics proposed in the literature for audio adversarial examples, and which are commonly applied to evaluate the effectiveness of methods for generating these attacks, are a reliable mea-sure of the human perception of the perturbations. Using an analytical framework, and an experiment in which 36 subjects evaluate audio adversarial examples according to different factors, we demonstrate that the metrics employed by convention are not a reliable measure of the perceptual similarity of adversarial examples in the audio domain.