Spatiality and Public Art. Thoughts on Sound and Urban Space
The paper takes up a problem of definition that is often debated nowadays in the field of Sound Art and moves it to the field of Public Sound Art: What is the role of Public Sound Art in contemporary art? Are we enriching the field by validating this expression to denote a group of works created wit...
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| Formato: | artículo |
| Fecha de publicación: | 2014 |
| País: | España |
| Recursos: | Universidad Complutense de Madrid (UCM) |
| Repositorio: | Docta Complutense |
| Idioma: | inglés |
| OAI Identifier: | oai:docta.ucm.es:20.500.14352/110858 |
| Acesso em linha: | https://hdl.handle.net/20.500.14352/110858 |
| Access Level: | acceso abierto |
| Palavra-chave: | 7 7.038 781 Arte sonoro Creación sonora Espacio público Arte público Espacialidad Bellas Artes 6299 Otras Especialidades Artísticas |
| Resumo: | The paper takes up a problem of definition that is often debated nowadays in the field of Sound Art and moves it to the field of Public Sound Art: What is the role of Public Sound Art in contemporary art? Are we enriching the field by validating this expression to denote a group of works created with sound in the public space? The paper addresses these questions focusing at the same time on spatiality, a concept used by Edward Soja to describe the socially-‐produced spaces, that sound creation tackles in the public space. The paper also presents a review of the exhibition Augmented Spatiality which was based on these topics and took place in August 2013 in Stockholm, Sweden. |
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