«Yo te seré propicio en Roma». Ignacio de Loyola, la santidad y la construcción del santo
Starting from the «vision of the Storta» and from that phrase that presides over this spiritual experience of the founder of the Society of Jesus, «I will be favourable to you in Rome», we try to analyse the process of sanctification of Ignatius of Loyola. First, through the hagiography that prepare...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2020 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Idioma: | español |
| OAI Identifier: | oai:dadun.unav.edu:10171/60551 |
| Acceso en línea: | https://hdl.handle.net/10171/60551 |
| Access Level: | acceso abierto |
| Palabra clave: | Beatificaciones y canonizaciones Inacio de Loyola Compañía de Jesús jesuitas santidad Contrarreforma Reforma Católica |
| Sumario: | Starting from the «vision of the Storta» and from that phrase that presides over this spiritual experience of the founder of the Society of Jesus, «I will be favourable to you in Rome», we try to analyse the process of sanctification of Ignatius of Loyola. First, through the hagiography that prepares a climate of perception, above all through the so-called <em>Autobiografía </em>and the «official» <em>Vida </em>written by Pedro de Ribadeneira. Then, with the beginning of the process from the General Congregation of 1593, in the midst of a crisis within the Ignatian Institute itself, accompanied by the intervention of the different monarchies, especially the Catholic and the Christian King, in an international context of European hegemonies of great complexity. Finally, with the beatification in 1609 and the canonization in 1622 (in the company of four other saints who define an ecclesiastical era), the transmission of that holiness, with the creation of a physical image of the new saint, of the feasts celebrated around these decisions and of the stories surrounding them, against the backdrop of the «counter-reform» baroque of the 17th century. |
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