Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries)
This paper problematizes the notion of ethnicity underlying in villancicos de negros that are sheltered in Guatemala’s Archidiocesan Historical Archive. Despite being musical pieces that project the idea of social harmony, they enable the emergence of identities in conflict with the colonial power,...
| Autor: | |
|---|---|
| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2019 |
| País: | Costa Rica |
| Recursos: | Universidad Nacional de Costa Rica |
| Repositório: | Portal de Revistas UNA |
| Idioma: | espanhol |
| OAI Identifier: | oai:www.revistas.una.ac.cr:article/12972 |
| Acesso em linha: | https://www.revistas.una.ac.cr/index.php/historia/article/view/12972 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Colonial Music Ethnicity Subalternity Afro descendants Ethnic Identity Speeches History Guatemala música colonial etnicidad subalternidad afrodescendientes identidad cultural discurso historia |
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Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries)Políticas de inclusión/prácticas de subalternización: la construcción de etnicidad en los villancicos de negros de la Catedral de Santiago de Guatemala (siglos XVI-XVIII)Singer, DeborahColonial MusicEthnicitySubalternityAfro descendantsEthnic IdentitySpeechesHistoryGuatemalamúsica colonialetnicidadsubalternidadafrodescendientesidentidad culturaldiscursohistoriaGuatemalaThis paper problematizes the notion of ethnicity underlying in villancicos de negros that are sheltered in Guatemala’s Archidiocesan Historical Archive. Despite being musical pieces that project the idea of social harmony, they enable the emergence of identities in conflict with the colonial power, based on an ambivalent discourse that consolidates and naturalizes racial stereotypes.Este artículo problematiza la noción de etnicidad subyacente en los villancicos de negros del Archivo Histórico Arquidiocesano de Guatemala (AHAG). A pesar de que se trata de piezas musicales que proyectan la idea de armonía social en un contexto festivo, lo cierto es que emergen identidades en conflicto con el poder colonial, sobre la base de un discurso ambivalente que consolida y naturaliza estereotipos raciales.Universidad Nacional, Costa Rica2019-07-01info:eu-repo/semantics/publishedVersionartículo originalhttp://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articleapplication/pdftext/htmlapplication/epub+ziphttps://www.revistas.una.ac.cr/index.php/historia/article/view/1297210.15359/rh.80.1Revista de historia; No. 80 (2019): Revista de Historia N° 80 (julio-diciembre, 2019); 11-32Revista de historia.; Núm. 80 (2019): Revista de Historia N° 80 (julio-diciembre, 2019); 11-32Jornal de História; n. 80 (2019): Revista de Historia N° 80 (julio-diciembre, 2019); 11-322215-47441012-9790reponame:Portal de Revistas UNAinstname:Universidad Nacional de Costa Ricainstacron:UNAspahttps://www.revistas.una.ac.cr/index.php/historia/article/view/12972/18040https://www.revistas.una.ac.cr/index.php/historia/article/view/12972/18041https://www.revistas.una.ac.cr/index.php/historia/article/view/12972/18042acceso abiertohttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccess2021-03-15T23:18:58Zoai:www.revistas.una.ac.cr:article/12972Portal de revistashttp://revistas.una.ac.cr/Universidadhttp://www.una.ac.crhttps://revistas.una.ac.cr/index.php/index/oaiandrea.mora.campos@una.crCosta RicaNo aplicaNo aplicaNo aplicaopendoar:2021-03-15T23:18:58Portal de Revistas UNA - Universidad Nacional de Costa Ricafalse |
| dc.title.none.fl_str_mv |
Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries) Políticas de inclusión/prácticas de subalternización: la construcción de etnicidad en los villancicos de negros de la Catedral de Santiago de Guatemala (siglos XVI-XVIII) |
| title |
Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries) |
| spellingShingle |
Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries) Singer, Deborah Colonial Music Ethnicity Subalternity Afro descendants Ethnic Identity Speeches History Guatemala música colonial etnicidad subalternidad afrodescendientes identidad cultural discurso historia Guatemala |
| title_short |
Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries) |
| title_full |
Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries) |
| title_fullStr |
Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries) |
| title_full_unstemmed |
Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries) |
| title_sort |
Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries) |
| dc.creator.none.fl_str_mv |
Singer, Deborah |
| author |
Singer, Deborah |
| author_facet |
Singer, Deborah |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Colonial Music Ethnicity Subalternity Afro descendants Ethnic Identity Speeches History Guatemala música colonial etnicidad subalternidad afrodescendientes identidad cultural discurso historia Guatemala |
| topic |
Colonial Music Ethnicity Subalternity Afro descendants Ethnic Identity Speeches History Guatemala música colonial etnicidad subalternidad afrodescendientes identidad cultural discurso historia Guatemala |
| description |
This paper problematizes the notion of ethnicity underlying in villancicos de negros that are sheltered in Guatemala’s Archidiocesan Historical Archive. Despite being musical pieces that project the idea of social harmony, they enable the emergence of identities in conflict with the colonial power, based on an ambivalent discourse that consolidates and naturalizes racial stereotypes. |
| publishDate |
2019 |
| dc.date.none.fl_str_mv |
2019-07-01 |
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info:eu-repo/semantics/publishedVersion artículo original http://purl.org/coar/resource_type/c_2df8fbb1 info:eu-repo/semantics/article |
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article |
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publishedVersion |
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https://www.revistas.una.ac.cr/index.php/historia/article/view/12972 10.15359/rh.80.1 |
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https://www.revistas.una.ac.cr/index.php/historia/article/view/12972 |
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10.15359/rh.80.1 |
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spa |
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spa |
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https://www.revistas.una.ac.cr/index.php/historia/article/view/12972/18040 https://www.revistas.una.ac.cr/index.php/historia/article/view/12972/18041 https://www.revistas.una.ac.cr/index.php/historia/article/view/12972/18042 |
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acceso abierto http://purl.org/coar/access_right/c_abf2 info:eu-repo/semantics/openAccess |
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acceso abierto http://purl.org/coar/access_right/c_abf2 |
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openAccess |
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application/pdf text/html application/epub+zip |
| dc.publisher.none.fl_str_mv |
Universidad Nacional, Costa Rica |
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Universidad Nacional, Costa Rica |
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Revista de historia; No. 80 (2019): Revista de Historia N° 80 (julio-diciembre, 2019); 11-32 Revista de historia.; Núm. 80 (2019): Revista de Historia N° 80 (julio-diciembre, 2019); 11-32 Jornal de História; n. 80 (2019): Revista de Historia N° 80 (julio-diciembre, 2019); 11-32 2215-4744 1012-9790 reponame:Portal de Revistas UNA instname:Universidad Nacional de Costa Rica instacron:UNA |
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Universidad Nacional de Costa Rica |
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UNA |
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UNA |
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Portal de Revistas UNA |
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Portal de Revistas UNA |
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Portal de Revistas UNA - Universidad Nacional de Costa Rica |
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andrea.mora.campos@una.cr |
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