With the color of darkness and the poetry of the soul: the impressionism in Orígenese Lessa
The aim of this paper is to bring to light impressionists aspects in the composition of the tale “The colors”, narrative that is part of the collection Balbino, seaman, by Orígenes Lessa (1903- 1986). Sought with this analysis, note the trace of the poetic works of Orígenes Lessa, marked by a polyse...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | Brasil |
| Institución: | Universidade Estadual de Londrina (UEL) |
| Repositorio: | Terra Roxa e Outras Terras: Revista de Estudos Literários |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/25091 |
| Acceso en línea: | https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/25091 |
| Access Level: | acceso abierto |
| Palabra clave: | Impressionism Poetic language Orígenes Lessa Impressionismo Linguagem poética |
| Sumario: | The aim of this paper is to bring to light impressionists aspects in the composition of the tale “The colors”, narrative that is part of the collection Balbino, seaman, by Orígenes Lessa (1903- 1986). Sought with this analysis, note the trace of the poetic works of Orígenes Lessa, marked by a polysemic language and often characterized by the permanence of impressionists traces. |
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