Hacia la descolonización del complejo expositivo en los museos: el caso Atacameño del norte de Chile: el caso Atacameño del norte de Chile
This paper presents a reflection on the exhibition of human bodies in museums, discussing its implications for the asymmetries in power relations and the representation of Indigenous Peoples. The analysis begins with the definition of the exhibition complex in Chile and then moves on to the case of...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade Comunitária da Região de Chapecó (Unochapecó) |
| Repositorio: | Cadernos do CEOM (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs2.pegasus.unochapeco.edu.br:article/8167 |
| Acceso en línea: | http://bell.unochapeco.edu.br/revistas/index.php/rcc/article/view/8167 |
| Access Level: | acceso abierto |
| Palabra clave: | Descolonización Complejo expositivo Representación indígena Decolonization Exhibition complex Indigenous representation |
| Sumario: | This paper presents a reflection on the exhibition of human bodies in museums, discussing its implications for the asymmetries in power relations and the representation of Indigenous Peoples. The analysis begins with the definition of the exhibition complex in Chile and then moves on to the case of the Atacameño people, addressing their demands and progress in this context. The paper concludes with an ethical debate, along with some considerations on the decolonization of museums. |
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