Considerations on asemic writing: the case of Mirtha Dermisache
The text addresses the writing of Argentine artist Mirtha Dermisache, one of the main devotees of asemic writing. Her texts unfold into a series of different writing systems in which we come across traits that develop from the concepts of repetition, alternation, symmetry and rhythm in a form of wri...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Palíndromo (Online) |
| Idioma: | español |
| OAI Identifier: | oai:ojs.revistas.udesc.br:article/20827 |
| Acceso en línea: | https://www.revistas.udesc.br/index.php/palindromo/article/view/20827 |
| Access Level: | acceso abierto |
| Palabra clave: | Escrita assêmica Escrita para ver Escrita de artista Asemic writing Writing to see Artist writing Escritura asémica Escritura para mirar Escritura del artista |
| Sumario: | The text addresses the writing of Argentine artist Mirtha Dermisache, one of the main devotees of asemic writing. Her texts unfold into a series of different writing systems in which we come across traits that develop from the concepts of repetition, alternation, symmetry and rhythm in a form of writing without a precise semantic content. As they lack words, the reader can only look at them. |
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